A Relic of the Revolution — Reading Companion

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In Category - Modern Nations
Herbert, Charles, 1757-1808 Project Gutenberg 2016 Not confirmed
United States -- History -- Revolution, 1775-1783 -- Prisoners and prisons; United States -- History -- Revolution, 1775-1783 -- Naval operations Readers of public-domain and historical texts
Project Gutenberg digital edition en

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Words 58,615
Reading time 255 min
Text sections 30

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Charles Herbert's firsthand account of American prisoners captured at sea and held in Plymouth, England during the Revolution, based on his diary. The narrative contrasts official reports with prisoners' skepticism, details daily deprivations, and records the names of vessels, crews, and those who died or escaped.
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Charles Herbert's A Relic of the Revolution is built around a diary kept while he was a prisoner of war in Plymouth, England, from December 1776 to March 1779. The text is punctuated by precise dates and a matter-of-fact tone that records both physical suffering—cold, vermin, smallpox—and the prisoners' constant negotiation with authority. Herbert notes that soldiers were ordered not to fire on escapees, only to use blank powder as alarm, a policy he attributes to Burgoyne's capture. The diary entries are interleaved with lists of ships taken and crew names, giving the work a documentary quality that resists narrative embellishment.

Skepticism Toward Official Reports

Herbert repeatedly contrasts what prisoners hear from outside with what they believe. When newspapers report that the American army is so destitute it strips women of petticoats for clothing, Herbert writes: “we know better; it is inconsistent with reason, and utterly false.” He similarly records rumors of exchange—six hundred prisoners in France, a reconciliation bill treated with indignation—but notes that in prison “we are very faithless; we have been flattered too long for our profit.” This skepticism is not merely personal; it reflects a communal wariness shaped by broken promises and contradictory intelligence. The diary thus becomes a record not only of events but of the prisoners' critical evaluation of information.

The Prison as a Social Microcosm

Herbert's entries reveal a society with its own hierarchies and conflicts. He notes that many prisoners are “the most wicked and profane men that I ever saw,” yet also records the presence of “a great number of steady men.” The Rev. Mr. Heath distributes books and reports that many prisoners disregard the Sabbath—a detail Herbert confirms with disapproval. Punishments are meted out within the prison: a man who informs on a sawed window bar is put in irons; three boys who damage hammocks are whipped by their ship's company. The Black-hole, a solitary confinement cell, holds prisoners for eighteen days until a commissioner grants pardon. These details show a community regulating itself under duress, with its own codes of honor and betrayal.

Documentary Impulse: Lists and Losses

The full title promises “the Names of the Vessels taken—the Names and Residence of the several Crews, and time of their Commitment—the Names of such as died in Prison, and such as made their Escape.” Herbert delivers on this: the diary is punctuated by tallies of prisoners (316 American prisoners in one entry), lists of deaths (E. Hunt, Joseph Hatch, Samuel Shriggins), and accounts of escapes and recaptures. This cataloging impulse transforms personal suffering into a collective record. The work functions as a memorial, preserving the identities of men who might otherwise be forgotten. Herbert's own survival—he later served on the Alliance under John Paul Jones—gives the account an authority born of endurance, but he never claims to speak for anyone beyond his own experience.

Herbert's diary resists easy summary; its power lies in the accumulation of small, concrete details. Readers should attend to the rhythm of the entries—the alternation between hope and disappointment, the precise recording of dates and numbers, the quiet defiance in dismissing false reports. The work is best approached not as a continuous narrative but as a mosaic of daily life under confinement, where every piece of news, every act of kindness or cruelty, is weighed and remembered.

I kept thinking about how those prisoners held onto every small detail—names, dates, the weather—as if writing it down might anchor them. It reminded me, oddly, of a handbook that lingers along the same quiet roads, mapping places people passed through with a similar care. That way of preserving what mattered is in the Historic Handbook of the Northern Tour Lakes George and Champlain; Niagara; Montreal; Quebec — Reading Companion, too. Both left me feeling I’d walked beside someone’s memory.

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